
Chamber · 03
GRAPHIC DESIGN
Poster systems · Swiss brutalism · Campaign energy
Statement
Graphic design, for me, is an exercise in clarity, restraint and visual balance. I'm particularly drawn to minimalism — not as a trend, but as a way of refining ideas down to their most essential form. I'm interested in how typography, spacing, composition and hierarchy can communicate emotion and identity without excess.
My approach to graphic design is heavily informed by architecture and industrial design. I often think about layouts spatially, treating typography and imagery almost like structural elements within a composition. This creates work that feels intentional, balanced and atmospheric rather than overly decorative.
I'm especially inspired by contemporary editorial design, luxury branding and modern visual systems that rely on confidence through simplicity. I believe strong graphic design doesn't need to compete for attention through noise — it can create impact through precision, pacing and restraint.
While graphic design is one part of a broader multidisciplinary practice, it has become an important tool for shaping visual identity and storytelling across my projects. Whether designing branding, layouts, campaigns or digital interfaces, I'm interested in creating work that feels timeless, refined and culturally aware.
Kioskei — posters
Campaign and poster explorations for Kioskei — type, photography, and experimental systems.






Logo works
Wordmarks and identity marks for selected brands.




